Murder in the Cathedral – T. S. EliotComplete Study Material


📚 Murder in the Cathedral – T. S. Eliot

Complete Study Material 

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1. Introduction

Murder in the Cathedral is a verse drama by T. S. Eliot, first performed in 1935. It dramatizes the martyrdom of Thomas Becket, Archbishop of Canterbury, who was murdered in Canterbury Cathedral in 1170.

The play is based on a major historical conflict between Thomas Becket and King Henry II of England. At the same time, Eliot transforms the historical story into a profound examination of faith, temptation, martyrdom, pride, sacrifice, and the relationship between spiritual and worldly power.

The play combines:

  • Christian theology

  • Greek tragedy

  • medieval religious drama

  • modern poetic drama


2. About T. S. Eliot

T. S. Eliot (1888–1965) was one of the most influential poets, critics, and dramatists of the twentieth century.

Major Works

Poetry

  • The Love Song of J. Alfred Prufrock

  • The Waste Land

  • The Hollow Men

  • Ash-Wednesday

  • Four Quartets

Drama

  • Murder in the Cathedral

  • The Family Reunion

  • The Cocktail Party

  • The Confidential Clerk

Eliot's writing frequently explores spiritual emptiness, modern civilization, religious faith, sin, redemption, and the search for meaning.


3. Historical Background

The play is based on the conflict between:

Thomas Becket, Archbishop of Canterbury
and
King Henry II of England

Becket had once been closely associated with Henry II and served as his Chancellor.

After becoming Archbishop of Canterbury, however, Becket increasingly defended the independence of the Church against royal authority.

This created a serious conflict between the king and the archbishop.

In 1170, four knights associated with Henry II travelled to Canterbury and killed Becket inside Canterbury Cathedral.

Becket was later recognized as a martyr and was canonized as a saint.


4. Plot Summary

Part I

The play begins with the Chorus of women of Canterbury.

They sense that something terrible is approaching.

Thomas Becket returns to Canterbury after a period of exile.

The Chorus expresses fear and uncertainty about what will happen.

Becket understands that his return will probably lead to conflict with the king.

The Four Tempters

Four Tempters visit Becket.

Each tempts him in a different way.

First Tempter – Pleasure

The first tempter reminds Becket of the pleasures and comforts of his former life.

He encourages him to seek personal happiness rather than sacrifice.

Second Tempter – Political Power

The second tempter offers Becket the possibility of political influence.

He suggests that Becket could regain the power he once enjoyed.

Third Tempter – Alliance with the Barons

The third tempter proposes that Becket join political opposition to the king.

This would allow him to fight Henry through political means.

Fourth Tempter – Martyrdom

The fourth temptation is the most important.

Becket is tempted by the desire to become a martyr.

This is subtle because martyrdom appears to be a noble goal.

However, if Becket desires martyrdom for his own glory, his sacrifice becomes spiritually corrupted.

Becket recognizes this danger.

He realizes that true martyrdom must be God's will rather than an act of personal ambition.


5. Part II

The second part focuses on the confrontation between Becket and the forces representing King Henry II.

The four knights arrive at the cathedral.

They accuse Becket of challenging royal authority.

Becket refuses to surrender his principles.

The knights eventually murder him inside the cathedral.

The Chorus responds with fear and spiritual reflection.

The murder becomes a Christian martyrdom rather than merely a political assassination.


6. Epilogue

After Becket's death, the knights address the audience directly.

They attempt to justify their actions.

This creates an unusual dramatic effect because the murderers speak directly to the audience.

The play ends by emphasizing the spiritual significance of Becket's sacrifice.


7. Major Characters

✝️ Thomas Becket

Becket is the central character.

He is:

  • Archbishop of Canterbury

  • intelligent

  • courageous

  • spiritually aware

  • determined

  • proud but self-reflective

His greatest struggle is not simply against the king.

His real struggle is against his own ego and desire for glory.

His spiritual development leads him to understand the meaning of genuine martyrdom.


👥 The Chorus

The Chorus consists of the women of Canterbury.

They represent:

  • ordinary people

  • collective human consciousness

  • fear

  • suffering

  • spiritual awareness

The Chorus is strongly influenced by Greek tragedy.

They observe events and gradually move from fear and confusion toward spiritual understanding.


👤 The Four Tempters

The four tempters represent different forms of temptation.

TempterTemptation
FirstPleasure and comfort
SecondPolitical power
ThirdPolitical opposition
FourthDesire for martyrdom and glory

The fourth temptation is the most intellectually important.


⚔️ The Four Knights

The knights represent the violent force of secular authority.

They murder Becket because they believe he threatens the authority of the king.

Their actions also raise questions about:

  • obedience

  • political violence

  • personal responsibility

  • moral justification


👑 King Henry II

Henry II does not appear directly on stage.

Nevertheless, his presence dominates the play.

He represents:

  • royal authority

  • political power

  • secular government

His conflict with Becket represents the larger conflict between Church and State.


8. Major Themes

1. Martyrdom

Martyrdom is the central theme.

Eliot distinguishes between:

True martyrdom – accepting God's will
and
False martyrdom – seeking death for personal fame or glory.

Becket must overcome his own desire for heroic recognition.


2. Temptation

Temptation drives the first part of the play.

The temptations are not merely physical.

They include:

  • pleasure

  • power

  • political influence

  • spiritual pride

The most dangerous temptation is the desire to make oneself a hero.


3. Church vs State

The conflict between Becket and Henry represents the struggle between:

Spiritual authority
and
Secular authority

Eliot explores the question of whether religious principles should surrender to political power.


4. Pride and Humility

Becket's spiritual journey involves overcoming pride.

He learns that even the desire to die as a martyr can become a form of spiritual pride.

True humility means accepting God's purpose rather than imposing one's own.


5. Death and Sacrifice

Death is not presented merely as an ending.

Becket's death becomes a form of sacrifice and spiritual transformation.

His physical death is interpreted as spiritual victory.


6. Suffering

The Chorus repeatedly expresses the suffering of ordinary people.

The suffering of Canterbury becomes connected with Becket's martyrdom.

Eliot presents suffering as something that can lead to spiritual awareness.


7. Good and Evil

The play presents a conflict between:

  • spiritual truth and worldly power

  • humility and pride

  • sacrifice and selfishness

  • faith and temptation

However, Eliot makes the conflict psychologically complex rather than simply dividing everyone into "good" and "evil."


9. Significance of the Chorus

The Chorus is one of the most important features of the drama.

Eliot borrows the Greek tragic chorus and adapts it to a Christian setting.

The women of Canterbury:

  • observe the action

  • express fear

  • represent ordinary people

  • react emotionally to Becket's return

  • experience spiritual transformation

The Chorus begins with fear and uncertainty but gradually develops a deeper understanding of martyrdom and divine purpose.


10. Greek Tragedy and Christian Drama

Murder in the Cathedral combines two traditions.

Greek Tragedy

Eliot uses:

  • Chorus

  • tragic hero

  • prophecy-like anticipation

  • ritualistic language

  • conflict

  • catastrophe

Christian Drama

He incorporates:

  • Christian theology

  • sin

  • temptation

  • martyrdom

  • sacrifice

  • spiritual redemption

Therefore, the play can be described as a modern Christian tragedy influenced by Greek drama and medieval religious theatre.


11. The Four Temptations – Important Exam Point

The four temptations can be understood as stages in Becket's psychological and spiritual struggle.

First: "Enjoy life."
Second: "Recover political power."
Third: "Fight politically."
Fourth: "Seek glory through martyrdom."

The fourth is the most dangerous because it appears to be religiously virtuous.

Becket realizes that martyrdom must be accepted, not deliberately pursued for personal glory.


12. Symbolism

🏛️ Canterbury Cathedral

The cathedral represents:

  • Church

  • sacred space

  • spiritual authority

  • martyrdom

🩸 Blood

Blood represents:

  • sacrifice

  • death

  • martyrdom

  • religious transformation

🌊 The Chorus

The Chorus symbolizes the collective consciousness of ordinary humanity.

⚔️ The Knights

They symbolize the violent power of secular authority.


13. Eliot's Use of Language

The play is written primarily in poetic verse.

Eliot uses:

  • repetition

  • imagery

  • symbolism

  • religious vocabulary

  • Biblical references

  • lyrical passages

  • dramatic dialogue

  • chorus speeches

The language often has a ritualistic and solemn quality, appropriate to the subject of martyrdom.


14. Important Literary Concepts

Objective Correlative

Eliot's critical concept of the objective correlative refers to the use of objects, situations, or events that evoke particular emotions.

In the play, the cathedral, the Chorus, the approaching danger, and Becket's murder create a powerful emotional and spiritual atmosphere.

Modern Drama

Although the story is medieval, Eliot wrote it for a modern audience.

The play therefore connects:

  • medieval religious conflict

  • modern political power

  • human psychology

  • spiritual crisis


15. Why Is Murder in the Cathedral Important?

The play is important because Eliot transforms a historical event into a philosophical and religious drama.

It asks:

  • What is true martyrdom?

  • Can sacrifice become an act of pride?

  • Where should the limits of political power lie?

  • What is the relationship between Church and State?

  • Can death become a form of spiritual victory?


16. Important Exam Questions

Short-answer Questions

  1. Who wrote Murder in the Cathedral?

  2. Who was Thomas Becket?

  3. Why did Becket return to Canterbury?

  4. Who are the four tempters?

  5. What does the fourth tempter represent?

  6. Who forms the Chorus?

  7. Who are the four knights?

  8. What is the historical basis of the play?

  9. Why is the cathedral important?

  10. What is the significance of martyrdom?

Essay Questions

  1. Discuss Murder in the Cathedral as a Christian tragedy.

  2. Analyze Thomas Becket as a tragic hero.

  3. Discuss the significance of the four tempters.

  4. Examine the role of the Chorus.

  5. Discuss the conflict between Church and State.

  6. Analyze the theme of martyrdom.

  7. Discuss pride and humility in the character of Becket.

  8. Examine Eliot's use of Greek tragic conventions.

  9. Discuss symbolism in Murder in the Cathedral.

  10. Analyze the play as a modern verse drama.


17. Quick Revision Notes

Author: T. S. Eliot
Genre: Verse drama / Christian tragedy
First performed: 1935
Setting: Canterbury
Historical figure: Thomas Becket
Historical event: Murder of Thomas Becket, 1170
Central conflict: Church vs State
Central character: Thomas Becket
Chorus: Women of Canterbury
Main themes: Martyrdom, temptation, faith, pride, sacrifice, power
Major dramatic influence: Greek tragedy
Religious context: Christianity and martyrdom


🌟 Conclusion

Murder in the Cathedral is much more than a historical account of Thomas Becket's assassination. T. S. Eliot turns Becket's death into a profound exploration of faith, temptation, spiritual pride, sacrifice, and martyrdom. The play's combination of Greek tragedy, medieval religious drama, and modern poetic technique makes it an important work of twentieth-century English drama.


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